Piazza San Marco is the principal public square of Venice, Italy, where it is generally known just as "the Piazza" The Piazzetta is an extension of the Piazza towards the lagoon in its south east corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them. A remark usually attributed to Napoleon calls the Piazza San Marco "the drawing room of Europe" (the attribution to Napoleon is unproven). It is one of the few remaining great urban spaces in Europe where human voices prevail over the sounds of motorized traffic.The Piazza is dominated at its eastern end by the great church of St Mark. It is described here by a perambulation starting from the west front of the church (facing the length of the Piazza) and proceeding to the right. The west facade of St Mark's basilica The church is described in the article St Mark's Basilica, but there are aspects of it which are so much a part of the Piazza that they must be mentioned here, including the whole of the west facade with its great arches and marble decoration, the Romanesque carvings round the central doorway and, above all, the four horses which preside over the whole piazza and are such potent symbols of the pride and power of Venice that the Genoese in 1379 said that there could be no peace between the two cities until these horses had been bridled; four hundred years later, Napoleon, after he had conquered Venice, had them taken down and shipped to Paris. The Piazzetta dei Leoncini is an open space on the north side of the church named after the two marble lions (presented by Doge Alvise Mocenigo in 1722), but now officially called the Piazzetta Giovanni XXIII. The neo-classic building on the east side adjoining the Basilica is the Palazzo Patriarcale, the seat of the Patriarch of Venice.
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